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2nd Philharmonic Concert
TSCHAIKOWSKY / SADIKOVA
„Ein Spiel im nicht-musikalischen Sinn?“, fragt Aziza Sadikova. „Das bedeutet für mich, erfindungsreich mit dem Konzept von Zeit und Erinnerung zu spielen, wie es meine Aufgabe in diesem besonderen Fall ist.“ In unserem 2. Philharmonischen Konzert wird ihre Neukomposition den zweiten und dritten Satz von Tschaikowskys Symphonie Nr. 4 f-Moll ersetzen. So begegnet uns der Komponist als Spiegel der Vergangenheit und als Teil des Hier und Jetzt.
Program
Alexander Borodin
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Overture to “Prince Igor”
Maurice Ravel
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„Pavane pour une infante défunte“
Maurice Ravel
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„La Valse. Poème chorégraphique“
TIME PLAY TWO:
PETER TCHAIKOVSKY / AZIZA SADIKOVA
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Symphony No. 4 in F minor op. 36
I. Andante sostenuto
II, III “Pain and Premonition”
(transcription by Aziza Sadikova, premiere)
II. Andantino in modo di canzona
III. Scherzo. Pizzicato ostinato
IV. Finale. Allegro con fuoco
The Concert
- Venue Elbphilharmonie, Grand Hall
- Duration 120 m
- Age recommendation From 10 years
The philharmonic concerts of the Hamburg State Orchestra become ZeitSpiele and transcend the boundaries of the ordinary: In this concert, Aziza Sadikova's compositional exploration of Tchaikovsky's character will be heard - for the second and third movements of his symphony will be replaced by new compositions from her pen, inspired by the original. Tchaikovsky meets us today as a mirror of the past and at the same time, through Sadikova, as part of the here and now! This musical play without fear of contact opens up new perspectives on our musical culture, our way of thinking and being, our way of receiving music.
“Tchaikovsky is my favorite composer, whose dramatic music has always fascinated me. I first heard his music as a child, because his works were played everywhere in the Soviet Union. I was already playing piano pieces by him at the age of six. (...) Playing in a non-musical sense? For me, that means playing inventively with the concept of time and memory, as is my task in this particular case.” Aziza Sadikova
“Tchaikovsky is my favorite composer, whose dramatic music has always fascinated me. I first heard his music as a child, because his works were played everywhere in the Soviet Union. I was already playing piano pieces by him at the age of six. (...) Playing in a non-musical sense? For me, that means playing inventively with the concept of time and memory, as is my task in this particular case.” Aziza Sadikova