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Bildrechte über Hamburgische Staatsoper
9th Philharmonic Concert
ZeitSpiel BEETHOVEN / TERRANOVA
Als einen „dynamischen, gemeinsamen Prozess“ zwischen Musikern, Komponist und Dirigent beschreibt Daniela Terranova den spielerischen Austausch von Ideen während der Proben. In dieser Philosophie ist sowohl ihre Neuorchestrierung von Bachs Kunst der Fuge als auch ihre Überschreibung des dritten Satzes von Beethovens 6. Symphonie entstanden. Beide werden im 9. Philharmonischen Konzert eine Verbindung zwischen den Jahrhunderten herstellen.
Program
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conductor
Johann Sebastian Bach
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Contrapunctus I-IV from “The Art of Fugue” (orchestration by Daniela Terranova, premiere)
TIME PLAY NINE:
LUDWIG VAN BEETHOVEN / DANIELA TERRANOVA
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Symphony No. 6 in F major op. 68 “Pastorale”
I. Awakening of cheerful feelings on arrival
in the country
II. scene by the brook
III. merry gathering of the country folk
IV. Thunderstorm, storm
(transcription by Daniela Terranova, UA)
V. Shepherds' song, joyful and grateful feelings after the storm
The Concert
- Venue Elbphilharmonie, Grand Hall
- Duration 120 m
- Age recommendation From 10 years
The Hamburg State Orchestra's Philharmonic Concerts become ZeitSpiele and transcend the boundaries of the ordinary: In this concert, Daniela Terranova's orchestration of Bach's music on the one hand and her compositional dialog with Beethoven on the other will be heard - for the third movement of his 6th Symphony will be replaced by a new composition from her pen, inspired by the original. We encounter Beethoven today as a mirror of the past and at the same time, through Terranova, as part of the here and now! This musical game without fear of contact opens up new perspectives on our musical culture, our way of thinking and being, on our way of receiving music.
“For me, the concept of playing is very closely linked to the search that takes place during rehearsals through the exchange of ideas between musicians, composer and conductor. This interaction is always enriching because it allows each person to bring their own perspective and thus transform music and performance. In this sense, “playing” becomes a dynamic, collaborative process.” DANIELA TERRANOVA
“For me, the concept of playing is very closely linked to the search that takes place during rehearsals through the exchange of ideas between musicians, composer and conductor. This interaction is always enriching because it allows each person to bring their own perspective and thus transform music and performance. In this sense, “playing” becomes a dynamic, collaborative process.” DANIELA TERRANOVA