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7th Philharmonic Concert
MOZART / BEAMISH
„Das Spiel mit musikalischen Ideen gehört zum Kern einer Komposition“, antwortet Sally Beamish auf unser Saisonmotto – auch Mozart sei oft sehr spielerisch. Durch ihre lustvolle Neukomposition des zweiten und dritten Satzes seiner Sinfonia Concertante wird das 7. Philharmonische Konzert zu einem ZeitSpiel: Es überschreitet die Grenzen des Gewöhnlichen und macht das 250 Jahre alte Werk auch als Teil unseres Hier und Jetzt begreifbar.
Program
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conductor
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Violin
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ViolaN. N.
TIME PLAY SEVEN:
WOLFGANG AMADEUS MOZART / SALLY BEAMISH
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Sinfonia concertante in E flat major KV 364 (320d)
I. Allegro maestoso
II. Andante
(transcription by Sally Beamish, premiere)
III. Presto
(transcription by Sally Beamish, premiere)
Hector Berlioz
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"Symphonie fantastique" op. 14
The Concert
- Venue Elbphilharmonie, Grand Hall
- Duration 120 m
- Age recommendation From 10 years
The Hamburg State Orchestra's Philharmonic Concerts become ZeitSpielen and transcend the boundaries of the ordinary: In this concert, Sally Beamish's compositional exploration of Mozart's rules will be heard - for the second and third movements of his Sinfonia Concertante will be replaced by new compositions from her pen, inspired by the original. We encounter Mozart today as a mirror of the past and at the same time, through Beamish, as part of the here and now! This musical play without fear of contact opens up new perspectives on our musical culture, our way of thinking and being, our way of receiving music.
“My work will certainly be “playful”, because Mozart is often very playful too, and I will have fun with the interaction between the two solo voices and between the soloist and the orchestra. Playing with musical ideas is at the heart of a composition - taking a fragment and seeing what you can do with it.” SALLY BEAMISH
“My work will certainly be “playful”, because Mozart is often very playful too, and I will have fun with the interaction between the two solo voices and between the soloist and the orchestra. Playing with musical ideas is at the heart of a composition - taking a fragment and seeing what you can do with it.” SALLY BEAMISH