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6th Philharmonic Concert
BACH / GIGASHVILI
Schon als Kind habe er sich stark zu Bachs Musik hingezogen gefühlt, erzählt Giorgi Gigashvili. „Was ich mit dem dritten Satz des d-Moll-Cembalokonzerts vorhabe, kommt aus meinem Innersten, aus meinem Herzen.“ Seien Sie also gespannt auf dieses 6. Philharmonische Konzert, das unsere Hörgewohnheiten hinterfragt und unsere Sympathien für Johann Sebastian Bach durch Gigashvilis Interpretation der jazzigen Peterson Suite ins Hier und Jetzt führt.
Program
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conductor
TIME PLAY SIX:
JOHANN SEBASTIAN BACH / GIORGI GIGASHVILI
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Concerto in D minor for harpsichord (piano), strings and basso continuo BWV 1052
I. Allegro
II. Adagio
III. OSCAR PETERSON: Bach Suite
(orchestration by Giorgi Gigashvili)
Claude Debussy
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Prelude to “L'après-midi d'un faune” (The Afternoon of a Faun)
Leonard Bernstein
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„Symphonic Dances“ ("West "Side Story")
The Concert
- Venue Elbphilharmonie, Grand Hall, Friedrich-Ebert-Halle (Harburg)
- Duration 120 m
- Age recommendation From 10 years
The Philharmonic Concerts of the Hamburg State Orchestra become ZeitSpielen and transcend the boundaries of the ordinary: In this concert, Giorgi Gigashvili's interpretation of Bach's music and music inspired by Bach will be heard - not only as a pianist, but also as a composer. The third movement of the harpsichord concerto will be replaced by his orchestration of the jazzy Peterson Suite, inspired by the original. We encounter Bach today as a mirror of the past and at the same time, through Gigashvili, as part of the here and now! This musical performance without fear of contact opens up new perspectives on our musical culture, our way of thinking and being, our way of receiving music.
“My relationship with Bach is about as old as my relationship with traditional Georgian music. Even as a child, I felt very strongly drawn to both. What I intend to do with the third movement of the D minor harpsichord concerto comes from my innermost being, from my heart.” GIORGI GIGASHVILI
“My relationship with Bach is about as old as my relationship with traditional Georgian music. Even as a child, I felt very strongly drawn to both. What I intend to do with the third movement of the D minor harpsichord concerto comes from my innermost being, from my heart.” GIORGI GIGASHVILI