Dustin Klein
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Birthplace:
Landsberg am Lech, Germany
Studies:
Ballet and dance studio Beatrix Klein, Jaga Antony Ballet School in Luxemburg and at the Royal Ballet Upper School in London
Prizes:
“Produktionspreis” National Youth Ballet (2019), Ellinor Holland Kunstpreis (2015)
Important productions as Choreographer:
“Psychomachia” (2020, Origen Festival Cultural), “Eine Romantische Liebe” (2020, Bavarian State Ballet), “Eden” (2019, Origen Festival Cultural), “The Rite” (2018, Origen Festival Cultural), “Les Vêpres Siciliennes” (2018, Bavarian State Opera), “Abferkeln” (2018, Bavarian State Ballet), “Mama, ich kann fliegen” (2017, Bavarian State Ballet), “wer ko der ko” (2017, for the Young Choreographers Evening of the Noverre Society in Stuttgart), “X²” (2017, for the Stanislawski-Theater Moskau), „DisTanz“ (2015, Bavarian State Ballet II)
Important productions as Ballet dancer:
“Gods and Dogs” (J. Kylián), „Unitxt” (R. Siegal), “Broken Fall” (R. Maliphant), Flaut, ein Bälgenflicker in “Ein Sommernachtstraum” (J. Neumeier), “Für die Kinder von gestern, heute und morgen. Ein Stück von Pina Bausch” (P. Bausch), Zauberer/Der verrückte Hutmacher in “Alice im Wunderland” (C. Wheeldon), Wilfried in “Giselle” (P. Wright/M. Petipa), Begleiter von Fürstin Betsy in “Anna Karenina” (C. Spuck), Lobby-boy in “Cecil Hotel” (A. Kaydanovskiy)
Career stages:
Semi-soloist at the Bavarian State Ballet (since the 2014/15 season), group dancer at the Bavarian State Ballet (2008–2014), Ballet of the Deutsche Oper am Rhein in Düsseldorf (2006–2008)
Cooperations:
Antú Romero Nunes, Amélie Niermeyer, Louise Flanagan, Simon Lovermann, Paul Putzar, et al.