Clementine Margaine
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Birthplace:
Narbonne, France
Studies:
Paris Conservatory
Prizes:
Special Jury Prize at Le Concours International de Chant – Nuits Lyriques de Marmande
Important parts:
Carmen (Carmen), Léonor (La Favorite), Fides (Le Prophète), Amneris (Aida), Concepcion (L’Heure Espagnole), Marguerite (La Damnation de Faust), Dulcinee (Don Quichotte), Sara (Roberto Devereux), Rebecca (Il Templario), Dalila (Samson et Dalila), Charlotte (Werther), Zayda (Don Sebastien), Gertrude (Hamlet), et al.
Stages:
Opéra National de Paris, Metropolitan Opera, Bayerische Staatsoper, Lyric Opera of Chicago, Deutsche Oper Berlin, Teatro Colón in Buenos Aires, Teatro dell’Opera di Roma, Grand Théâtre de Genève, Teatro di San Carlo in Naples, Opera Australia, Canadian Opera Company, Gran Teatre del Liceu in Barcelona, Théâtre du Capitole in Toulouse, Opéra Municipal de Marseille, Oper Köln, Semperoper Dresden, Washington National Opera, Musikverein in Vienna, Salzburg Festival, et al.
Cooperation with directors:
Christian Spuck, Hugo De Ana, Daniele Finzi Pasca, John Bell, Béatrice Lachaussée, Matthew Ozawa, Calixto Bieito, Olivier Py, Jean-Louis Grinda, Derek Gimpel, Jakop Ahlbom, et al.
Cooperation with conductors:
Riccardo Muti, Daniele Gatti, Stéphane Denève, Emmanuel Villaume, Roberto Rizzi-Brignoli, Giuseppe Finzi, Donald Runnicles, Raphaël Pichon, Jacques Lacombe, Jean-Christophe Spinosi, Josep Caballé Domenech, Vladimir Kiradžijevs, Luciano Acocella, Michel Plasson, Ira Levin, Will Crutchfield, Evan Rogister, Charles Dutoit, Paolo Carignani, Andrea Molino, Sir Andrew Davis, Friedrich Haider, Juraj Valcuha, Paolo Arrivabeni, Enrique Mazzola, Maxime Pascal, Patrick Summers, et al.
